“The power of faith is transformative. It can be utilized in your own personal life
to change your individual condition …”
Tuesday, July 28, 2020
Wednesday, June 3, 2020
Links to Excellence – Omar’s Blues
Wednesday, April 22, 2020
Before Corona
Prior to the COVID-19 pandemic a fleeting thought went through my mind in regards to the massive
resources, wealth, and possibilities we as Americans are privileged to, and the
orchestrated logistics that enable us to walk into a store and freely shop for
essentials and non-essentials without struggle
– a privilege most of us took for granted until now.
I believe this
subconscious thought was planted after watching a documentary on the scarcity
of water in African nations, which some have risked their lives to obtain.
Inverse to this, was
an episodic observation on #blackAF,
which I believe was intended to make an insightful point, oppose to humor, as a comedic
character was amazed that there were plenty bottles of imported water for
everyone to drink at a lavish cookout – this, again, speaking to America’s
privilege, wealth and the possibilities
for wealth, as the show depicts an affluent family privy to any material desire,
which again, some take for granted or fail to appreciate.
Now being forced to
prioritize our needs, scale back, and see that having less brings gratitude, I
hope we will learn that abundance doesn’t come with satisfaction and more is
not needed to be content.
Friday, March 27, 2020
Links to Excellence – And Still I Rise
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Courtesy of Bob Hercules and Media Process Group |
This PBS documentary on the late Maya Angelou is Interiors’ selection for women’s history
month, given its inspiring title and mantra that exemplified the strength of
Angelou and many powerful women that we have or have had in our lives, who
would encourage us in these difficulty times.
Currently streaming on Netflix, the following link provides a behind-the-scenes discussion of the film with its Peabody Award-winning Directors, Bob Hercules and Rita Coburn-Whack.
Currently streaming on Netflix, the following link provides a behind-the-scenes discussion of the film with its Peabody Award-winning Directors, Bob Hercules and Rita Coburn-Whack.
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For more information, visit The Maya Angelou Film
Thursday, February 27, 2020
Commercialized Love
The images of interracial relationships often seen in today’s media, and
real life, usually consist of a black man with a woman of another race when the
interracial component involves a person of color.
Some argue that this dynamic speaks to America’s racial progress since
the Antebellum South, Jim Crow and the tragic death of Emmett Till – times when
the lives of African Americans were at risk for even thinking of the forbidden
and accused of such. The truth in this argument validates itself, bearing
historical consequences that bred fear, which is now replaced by male-liberation
and possibly victorious-pride to defy a system that was so punitive to the
extent of dictating whom one could and could not love.
Even the dictates over the longevity of black love during slavery, and
the prices paid after families were separated for financial gain, carried over
as forbidden remnants during the early TV era when images of black love were not
seen, nor authenticated in the media.
Quality films and their memorable scores like Love Story, and The Way
We Were, had no counter-equivalents aside from rare gems as, Lady Sings the
Blues, and Mahogany, whose protagonists' conflict added richness to these stories and their mainstream counterparts.
After Lady and Mahogany, there was a wide disparity in black love
dramas with a rich undertone, till such films as, DuVernay’s, Middle of Nowhere,
Jenkins’ Beale Street adaptation, and
currently, The Photograph by producer Will Packer who’s among today’s leading
creatives elevating the “black love” genre.
The task to bring these stories to the cultural landscape amid disproportionate
images of black-male “interracialization” is imperative, as it offers balance
and reminds us that black love does exists and is a sustainable option as any
other love.
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